About

Philippa Moroney is a renowned photographer and visual artist based in London, England. She has been creating stunning images for over 20 years, and her work has been featured in numerous publications, galleries, and exhibitions around the world.

Born in London in 1975, Philippa developed an early interest in photography and art. She studied photography at the University of Westminster and graduated with a BA (Hons) degree in 1998. After graduating, she worked as a freelance photographer for several years before establishing her own studio in 2002.

Since then, Philippa has become known for her unique style of photography which combines traditional techniques with modern digital technology. Her work often focuses on capturing the beauty of everyday life and exploring the relationship between people and their environment. She has traveled extensively to capture images from around the world, including India, China, Japan, South America, Europe and Africa.

Philippa’s work has been exhibited at numerous galleries including The Photographers’ Gallery in London; The Museum of Contemporary Art in Tokyo; The National Portrait Gallery in Washington DC; The Victoria & Albert Museum in London; The National Gallery of Canada; and many more. Her photographs have also been featured in publications such as Vogue Magazine, Harper’s Bazaar Magazine, Marie Claire Magazine and Elle Magazine.

In addition to her photographic work, Philippa is also an accomplished visual artist who creates mixed media pieces using photography as well as painting and drawing techniques. Her artwork has been exhibited at various galleries throughout Europe including the Saatchi Gallery in London; The Photographers’ Gallery in Berlin; The Centre Pompidou-Metz; and many more.

Philippa continues to create stunning images that capture the beauty of everyday life while exploring our relationship with our environment. Her work is highly sought after by collectors around the world who appreciate her unique vision and creative approach to photography.

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